Banning Anne: Why the Soviets were Afraid of Anne of Green Gables
byLaunching our exciting new series on banned books, Ewan Bowlby explains why Anne of Green Gables was banned in Soviet controlled Poland. If you…
theology and the arts
Le.Iva and the Point in Between
byGiulia Privitelli reviews Le.Iva, a multi-media installation by Maltese artist Austin Camilleri exploring anger, grief and mortality. To grieve takes effort. At the end of…
Post-Secular Curiosity in Sally Rooney’s Beautiful World, Where Are You?
byNora Kirkham considers how Sally Rooney’s novel Beautiful World, Where Are You? encourages readers to seek out beauty and closer, richer relationships during times of…
Theology and ‘Belief’ in Ted Lasso
byAudry Goertzen reflects on the significance of hope and faith in the smash-hit comedy series Ted Lasso, for the next instalment in our series on “bingeing”…
Introducing ITIA’s Artist-in-Residence: Karlee Rene Lillywhite
byEwan Bowlby interviewed visual artist and illustrator Karlee Rene Lillywhite, Artist-in-Residence at the Institute for Theology, Imagination and the Arts for 2021-22, to find…
Transitions
byAs we step into the strangeness and uncertainty of this new year, Transpositions is ready to welcome readers back with a few significant changes….
Transpositions Awarded by Christian New Media
byWe are proud to announce that at the 2010 Christian New Media Awards, Transpositions received the runner-up award for Best Newcomer Blog. Congratulations to…