‘Thisness’: Jazz, Materiality, and Theology
by‘Hey Teo—play some of that back’, jazz trumpeter Miles Davis comments on the delicate tune ‘Thisness’. [1] A previously unreleased track until its inclusion…
The Senses
Review: The Spirituality of Wine
byGisela Kreglinger. The Spirituality of Wine. Grand Rapids: W. B. Eerdmans, 2016. 300 pages. $24.00. Gisela Kreglinger’s The Spirituality of Wine is as rife…
The Phenomenological Character of Aesthetic Experience
byEditor’s Note: This is the third installment of a four-part series by Jim McCullough that will look at the ways in which art contributes to…
The Sound of Silence and the Silence of Sound: On Having Ears to Hear
byAnd in the naked light I saw Ten thousand people, maybe more. People talking without speaking, People hearing without listening. People writing songs that…
“The Senses Are Not Content to Take Second Place”: Body, Art and Temptation in Augustine’s Confessions
byAugustine occupies a unique place in the history of theological aesthetics. In a sense, the whole of Western theological aesthetics is couched in Augustine’s…