Two-Faced
byKieran Gaya explains how his piece Two-Faced engages with the theme of Interface, in the next instalment of our series of artist reflections highlighting the Transept…
Articles
This Is Where We Live Now (Parts I & II)
byFor our series of artist reflections connected to the Transept Interface exhibition, Melody Bellefeuille-Frost describes the creative process behind her collage This is Where We…
Through Hell to Beauty: The V-Shaped Artistic Process
byOver the next four weeks, Transpositions will be publishing a series of articles in which artists exhibiting in the Transept Interface exhibition reflect on their…
Le.Iva and the Point in Between
byGiulia Privitelli reviews Le.Iva, a multi-media installation by Maltese artist Austin Camilleri exploring anger, grief and mortality. To grieve takes effort. At the end of…
Bingeing Brideshead: The Gift of Spontaneous Ritual
byEden O’Brien describes how watching Brideshead Revisited taught her that bingeing “opens up a new mode of experience” that is “primed for ritual and depth”…
Thirsting for God: Midnight Mass, ‘Bloodthirsty’ Religion, and the American Gothic Nightmare
byMatthew Nelson reflects upon Mike Flanagan’s new Netflix show, Midnight Mass, a masterful—and disturbing—tale in the Gothic tradition that engages questions of faith, religion…
He is wonderful, I Want to Talk to Him! Ye’s ‘Revelation19:1’, Pentecostal Worship, and Moments of Encounter
byAlisha P. Aggrey describes how Ye’s ‘Revelation 19: 1’ became her ‘pandemic soundtrack’, giving her a daily sense of a Divine ‘encounter’ that transformed…