The Integrity of Using Art, Part 3
In “The Integrity of Using Art, Part 1” I suggested that when using art, affirming the integrity of the work is immensely important. Then, in…
Christopher R. Brewer (PhD, St Andrews) is a Program Officer of the Templeton Religion Trust, Nassau, The Bahamas. He has edited or co-edited six volumes, including Art that Tells the Story which was named one of Hearts & Minds Best Books of 2011. He is now working on a book for Zondervan Academic provisionally titled Understanding Natural Theology, and an additional edited volume (for Routledge). His current research has mostly to do with questions at the intersection of theology, philosophy, and contemporary visual art, but also includes Anglican ecumenism.
In “The Integrity of Using Art, Part 1” I suggested that when using art, affirming the integrity of the work is immensely important. Then, in…
Hans Boersma. Nouvelle Théologie and Sacramental Ontology: A Return to Mystery. Oxford: Oxford University Press, 2009, ix + 325 pp., £65.00/$130.00 cloth. £25.00 paper. Boersma…
In my last post, “The Integrity of Using Art, Part 1,” I suggested that when using art, affirming the integrity of the work is…
My family and I recently spent some time at L’Abri in Huemoz, Switzerland.[1] While there, I gave two lectures, arguing that we might mimic the methodology of…
James K.A. Smith, The Fall of Interpretation: Philosophical Foundations for a Creational Hermeneutic, 2nd ed. Grand Rapids, MI: Baker Academic, 2012, xviii + 229pp., £14.99/$24.99 paper….
My interest in evangelism/apologetics, natural theology and metaphysics has its roots in the soil of the Midwest; more specifically, two courses that I took…
In my last post, I suggested that Jonathan Borofsky’s counting and keeping of a dream record might be seen in terms of ancient Jewish…