Half-Smile and Pinch Face: Writing for an Illustrator
byAuthor Ewan Bowlby reflects on writing a short story in collaboration with illustrator Karlee Rene, for the next of our series of artist reflections…
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This Is Where We Live Now (Parts I & II)
byFor our series of artist reflections connected to the Transept Interface exhibition, Melody Bellefeuille-Frost describes the creative process behind her collage This is Where We…
Review: Art, Imagination, and Christian Hope
byTrevor Hart, Gavin Hopps, and Jeremy Begbie, eds. Art, Imagination and Christian Hope: Patterns of Promise. Farnham, Surrey: Ashgate, 2012, xi + 193 pp.,…
Le Mur pour la Paix: Art with a political message?
byParis is a feast for those interested in culture and the arts. After my post last week on Barbara Nicolosi’s chapter in For the…
The Wound and The Coyote: Joseph Beuys’ Spiritual Vision
byIf you come in a space with a big flame of fire you will get burnt, and you cannot say: ‘This is the symbol…
Where does our service lie?: The Christian Artist and the Church (Part 2)
byLast week I brought up the topic of how we might think about the relationship of the artist to the church, raising some questions…
Serving Clients with Bad Taste
byMy previous post on cakes has provoked a good deal of comment, and one of those comments, as well as Sara’s post on autonomy,…