The Amazing, Anonymous Banksy!
Frustration with the state of ‘modern’ art sometimes leads Christians to long nostalgically for the days of the ‘anonymous medieval craftsman.’ Those were the…
Jim Watkins was the assistant editor and a regular contributor at Transpositions. Originally, Jim is from southern California and southeastern Texas, but sometimes he feels most at home in the landscape and coffee shops of the Pacific Northwest. He met his wife Emily at Wheaton College in Illinois, where he studied Studio Art (concentration in painting). For his PhD research, he is examining the relationship between divine and human creativity from the perspective of divine kenosis.
Frustration with the state of ‘modern’ art sometimes leads Christians to long nostalgically for the days of the ‘anonymous medieval craftsman.’ Those were the…
Joel Sheesley’s work embodies an ethic of love for his domestic and local environment. Each painting is a world seen through the eyes of…
I’ll admit it. I’m skeptical of live painting in churches. Like sticking a square peg in a round hole, it often makes for an…
Review of chapter 8 of For the Beauty of the Church, Edited by David O. Taylor. This is the final post in our series of…
Dayton Castleman was born in New Orleans in 1975. He received his BA in Art from Belhaven College in Jackson, Mississippi and his MFA…
Review of Chapter 1 in For the Beauty of the Church. Transpositions is hosting reviews of each chapter of this book between Aug 2…
This post follows from recent discussions we have been having on the kind of role that human artistry may or may not play in…