This Is Where We Live Now (Parts I & II)
byFor our series of artist reflections connected to the Transept Interface exhibition, Melody Bellefeuille-Frost describes the creative process behind her collage This is Where We…
For our series of artist reflections connected to the Transept Interface exhibition, Melody Bellefeuille-Frost describes the creative process behind her collage This is Where We…
Over the next four weeks, Transpositions will be publishing a series of articles in which artists exhibiting in the Transept Interface exhibition reflect on their…
Giulia Privitelli reviews Le.Iva, a multi-media installation by Maltese artist Austin Camilleri exploring anger, grief and mortality. To grieve takes effort. At the end of…
Eden O’Brien describes how watching Brideshead Revisited taught her that bingeing “opens up a new mode of experience” that is “primed for ritual and depth”…
Matthew Nelson reflects upon Mike Flanagan’s new Netflix show, Midnight Mass, a masterful—and disturbing—tale in the Gothic tradition that engages questions of faith, religion…
Alisha P. Aggrey describes how Ye’s ‘Revelation 19: 1’ became her ‘pandemic soundtrack’, giving her a daily sense of a Divine ‘encounter’ that transformed…
Nora Kirkham considers how Sally Rooney’s novel Beautiful World, Where Are You? encourages readers to seek out beauty and closer, richer relationships during times of…