This Is Where We Live Now (Parts I & II)
byFor our series of artist reflections connected to the Transept Interface exhibition, Melody Bellefeuille-Frost describes the creative process behind her collage This is Where We…
Articles
Through Hell to Beauty: The V-Shaped Artistic Process
byOver the next four weeks, Transpositions will be publishing a series of articles in which artists exhibiting in the Transept Interface exhibition reflect on their…
Le.Iva and the Point in Between
byGiulia Privitelli reviews Le.Iva, a multi-media installation by Maltese artist Austin Camilleri exploring anger, grief and mortality. To grieve takes effort. At the end of…
Bingeing Brideshead: The Gift of Spontaneous Ritual
byEden O’Brien describes how watching Brideshead Revisited taught her that bingeing “opens up a new mode of experience” that is “primed for ritual and depth”…
Thirsting for God: Midnight Mass, ‘Bloodthirsty’ Religion, and the American Gothic Nightmare
byMatthew Nelson reflects upon Mike Flanagan’s new Netflix show, Midnight Mass, a masterful—and disturbing—tale in the Gothic tradition that engages questions of faith, religion…
He is wonderful, I Want to Talk to Him! Ye’s ‘Revelation19:1’, Pentecostal Worship, and Moments of Encounter
byAlisha P. Aggrey describes how Ye’s ‘Revelation 19: 1’ became her ‘pandemic soundtrack’, giving her a daily sense of a Divine ‘encounter’ that transformed…
Post-Secular Curiosity in Sally Rooney’s Beautiful World, Where Are You?
byNora Kirkham considers how Sally Rooney’s novel Beautiful World, Where Are You? encourages readers to seek out beauty and closer, richer relationships during times of…