Denny Kinlaw (Co-Editor) is currently studying for his PhD in the Institute of Theology, Imagination and the Arts, St Mary’s College, University of St Andrews. Before coming to St Andrews, Denny conducted research for Kirk Documentary Group in Boston, MA, producing documentary films for PBS FRONTLINE. He received his BA in English from Harvard University. His interests currently include post-45 American Literature, critical theory, affect, and he is currently completing a dissertation on the work of David Foster Wallace. He is also the Co-Editor of Book Reviews for the Journal of Inklings Studies.
Brett Speakman (Co-Editor) is currently working towards his PhD in the Institute for Theology, Imagination, and the Arts at the University of St Andrews. His research includes apologetics, the Inklings, the imagination, and the history of Christianity. Prior to moving to the UK, Brett worked at the Marion E. Wade Center at Wheaton College as a graduate research assistant, where he conducted research for scholars, processed manuscripts and letters for archival use, and assisted in the editing of book reviews and articles for the journal, VII: An Anglo-American Literary Review. He is also the Co-Editor of Book Reviews for the Journal of Inklings Studies.
Cynthia ‘Allie’ Thomas (Book Reviews Editor)is currently working towards her MLitt in the Institute for Theology, Imagination and the Arts at the University of St Andrews. Before moving to St Andrews, she completed her BA in Humanities, with a Modern and Contemporary Studies emphasis, at Lee University in Cleveland, TN. Her research analyzes the ways in which theological and philosophical thought have a sustained conversation with modern culture and its artifacts, particularly film and the visual arts.
Katelynn Carver (Guest Contributors Editor) is currently studying for her PhD in the Institute of Theology, Imagination and the Arts, St Mary’s College, University of St Andrews, taking a multidisciplinary, process-oriented, theopoetic approach to the postsecular reading of Virginia Woolf. Prior to coming to the UK, Katelynn both worked in admissions/student services and earned her Master’s degree in Religion and the Sciences / Religion, Literature, and Culture at Harvard University, where she also served as Managing Editor for Cult/ure: The Graduate Journal of Harvard Divinity School.She currently serves as a Contributing Scholar at State of Formation and Editorial Assistant for the Journal of Inklings Studies.
Dr. Gavin Hopps (ITIA Director, ex officio Editor) is Lecturer in Literature & Theology and Director of the Institute for Theology, Imagination and the Arts at the University of St Andrews. He has been involved in ITIA since he came to St Andrews as an RCUK Academic Fellow in 2006. Prior to this, he was a Lecturer in English at the universities of Aachen, Oxford and Canterbury Christ Church and a CRASSH Visiting Fellow at the University of Cambridge. His research is broadly concerned with theology and the arts, with a particular focus on Romantic literature and contemporary British popular music, though he is also interested in the relationship between theology and modalities of lightness (such as comedy, camp, leisure and play). He has published numerous articles on Romantic writing, a collection of essays on the spectral, the spiritual and the supernatural in Byron, a co-edited collection on Romanticism and Religion, and a monograph on the singer-songwriter Morrissey. He is currently working with Dr Jane Stabler in the School of English on a new edition of the complete poetic works of Byron, a volume in the New Directions in Religion and Literature series, a monograph on the levity of Byron’s Don Juan, and another on popular music and radical wonder, entitled The Kitsch Epiphany.
Kevin Antlitz received his M.Div. (2010) and his Th.M. (2011) from Gordon-Conwell Theological Seminary in Boston, MA, while also completing coursework at Harvard Divinity School and Boston College. He currently serves as a Ministry Fellow with Christian Union at Princeton University. Prior to his work at Princeton, he taught as an Adjunct Professor at Gordon College.
Jon Greenaway is a first year PhD student at the Manchester Centre for Gothic Studies. Before commencing his PhD he gained his BA in English studies and a Masters degree in ‘The Gothic Imagination’ from Stirling University. He has published papers on a range of topics including Trauma in the 19th century novel and the works of Jacques Derrida in relation to modern American TV. His research interests include critical theory, the Gothic, monster theory and the intersection between systematic theology and wider culture.