The Team

Editorial Team

Denny Kinlaw (Editor-in-Chief) is currently studying for his PhD in the Institute of Theology, Imagination and the Arts, St Mary’s College, University of St Andrews.  Before coming to St Andrews, Denny conducted research for Kirk Documentary Group in Boston, MA, producing documentary films for PBS FRONTLINE. He received his BA in English from Harvard University. His interests currently include American Literature and the intersection of literary theory and theology in the work of David Foster Wallace. 

Caitlin Washburn (Guest Contributions Editor) is currently working towards her PhD in the Institute for Theology, Imagination, and the Arts at the University of St Andrews.  Her research is focused on the role of the imagination in the interpretation and reception of the Bible.  In her free time, she can most likely be found strumming on her guitar.

Dr Gavin Hopps (ITIA Director, ex officio Editor) is Lecturer in Literature & Theology and Director of the Institute for Theology, Imagination and the Arts at the University of St Andrews. He has been involved in ITIA since he came to St Andrews as an RCUK Academic Fellow in 2006. Prior to this, he was a Lecturer in English at the universities of Aachen, Oxford and Canterbury Christ Church and a CRASSH Visiting Fellow at the University of Cambridge. His research is broadly concerned with theology and the arts, with a particular focus on Romantic literature and contemporary British popular music, though he is also interested in the relationship between theology and modalities of lightness (such as comedy, camp, leisure and play). He has published numerous articles on Romantic writing, a collection of essays on the spectral, the spiritual and the supernatural in Byron, a co-edited collection on Romanticism and Religion, and a monograph on the singer-songwriter Morrissey. He is currently working with Dr Jane Stabler in the School of English on a new edition of the complete poetic works of Byron, a volume in the New Directions in Religion and Literature series, a monograph on the levity of Byron’s Don Juan, and another on popular music and radical wonder, entitled The Kitsch Epiphany.

Regular Contributor(s)

Kevin Antlitz received his M.Div. (2010) and his Th.M. (2011) from Gordon-Conwell Theological Seminary in Boston, MA, while also completing coursework at Harvard Divinity School and Boston College. He currently serves as a Ministry Fellow with Christian Union at Princeton University. Prior to his work at Princeton, he taught as an Adjunct Professor at Gordon College. In his spare time he loves to travel and imbibe fine beverages. He is currently attempting to learn piano, French, and how to be a father to his newly minted son.

Jon Greenaway is a first year PhD student at the Manchester Centre for Gothic Studies. Before commencing his PhD he gained his BA in English studies and a Masters degree in ‘The Gothic Imagination’ from Stirling University. He has published papers on a range of topics including Trauma in the 19^th century novel and the works of Jacques Derrida in relation to modern American TV. His research interests include critical theory, the Gothic, monster theory and the intersection between systematic theology and wider culture.

Amber Noel received her M.Div. from Duke University in 2012 after additional graduate coursework in theology and literature at Lee University. She lives in Durham, NC (USA) where she is exploring vocations in pastoral, artistic, and academic fields. In her spare time, Amber is either pursuing ordination as a deacon, eating breakfast, or watching Doctor Who. She has high-quality humans and/or cats around her most of the time.