Album Review: Fragile Hands
By the rivers of Babylon we sat and wept when we remembered Zion. There on the poplars we hung our harps, for there our…
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Movement and Location in the Church Space: Pieter Jansz Saenredam, his paintings, and an “ambulatory imagination”
It is fitting to write a reflection on the idiosyncratic artwork of Pieter Jansz Saenredam from the peculiar comfort of Martyrs Kirk library in…
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ITIA Art Exhibition, ‘The World “behind” and “in front of” the Work’
While a scholarly investigation of art engages the imagination and intellect, a practical interaction with art employs the physical senses. More profoundly, art that…
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Featured Artist: Nicholas Mynheer
A sacred artist whose work graces churches and homes throughout his native England, Nicholas Mynheer (pronounced MY-neer) works in paint, glass, and stone. He…
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James MacMillan, ‘A New Song’: Silence, Anticipation, and the Incomplete
Editor’s Note: As part of our monthly focus on the TheoArtistry project and its collaboration with Sir James MacMillan, we offer another insightful article…
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Review: Modern Art and the Life of a Culture
Jonathan A. Anderson and William A. Dyrness. Modern Art and the Life of a Culture: The Religious Impulses of Modernism. Downers Grove, Illinois: IVP…
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Reflections on Art at Chichester Cathedral: Two takes on the Baptism of Christ
Chichester Cathedral houses two 20th paintings of the Baptism of Christ[1]: one by Hans Feibusch (1951/77) in the Baptistery, the other by Patrick Procktor…
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