James MacMillan, ‘A New Song’: Silence, Anticipation, and the Incomplete
Editor’s Note: As part of our monthly focus on the TheoArtistry project and its collaboration with Sir James MacMillan, we offer another insightful article…
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Review: Modern Art and the Life of a Culture
Jonathan A. Anderson and William A. Dyrness. Modern Art and the Life of a Culture: The Religious Impulses of Modernism. Downers Grove, Illinois: IVP…
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Reflections on Art at Chichester Cathedral: Two takes on the Baptism of Christ
Chichester Cathedral houses two 20th paintings of the Baptism of Christ[1]: one by Hans Feibusch (1951/77) in the Baptistery, the other by Patrick Procktor…
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Setting Fire to Music
On a cold, bright day in November, I stepped into the Senate Room at the University of St Andrews to participate in my first…
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Review: Making Good
Trevor Hart, Making Good: Creation, Creativity, and Artistry. Waco, TX: Baylor University Press, 2014. Vi+368pp. $59.95. The convergence between theology, imagination & the arts is…
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Call for Scores: Contribute to Theoartistry Composers Scheme
ITIA (the Institute for Theology, Imagination and the Arts, University of St Andrews) is delighted to present the opportunity to work with Sir James MacMillan…
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Review: John Piper – The Fabric of Modernism
John Piper: The Fabric of Modernism marks the fiftieth anniversary of Piper’s High Altar tapestry in Chichester Cathedral by celebrating and exploring his textile…
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