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Transpositions is the official blog of the Institute for Theology, Imagination, and the Arts at the University of St Andrews. Featured Posts
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Printmakers
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![Paul Martin is a painter and printmaker based in Edinburgh. He studied art at the Birmingham School of Art (1969-71) and the Royal Academy (1971-73). His work has been exhibited internationally and has won several awards, including the Royal Academy […]](http://www.transpositions.co.uk/wp-content/uploads/2012/05/Lazarus-Oil-and-Encaustic-on-Panel-122x95cm-2010-115x115.jpg "Featured Artist: Paul Martin")
Featured Artist: Paul Martin
Posted on 18/05/2012 | No CommentsPaul Martin is a painter and printmaker based in Edinburgh. He studied art at the Birmingham School of Art (1969-71) and the Royal Academy (1971-73). His work has been exhibited internationally and has won several awards, including the Royal Academy […] -
![Sandra Bowden is an artist based in New York, and also a former president of Christians in the Visual Arts (CIVA). Bowden’s primary medium is print making, and she often uses collography. This process allows Bowden to achieve a large depth […]](http://www.transpositions.co.uk/wp-content/uploads/2011/05/Volume-I-and-II-115x115.jpg "Featured Artist: Sandra Bowden")
Featured Artist: Sandra Bowden
Posted on 22/05/2011 | 4 CommentsSandra Bowden is an artist based in New York, and also a former president of Christians in the Visual Arts (CIVA). Bowden’s primary medium is print making, and she often uses collography. This process allows Bowden to achieve a large depth […]
![In Visual Faith, William Dyrness entertains two questions concerning the uncomfortable, and at times awkward, relationship between beauty and goodness. The first: “Do pursuits of justice and beauty compete for our attention?”[1] And the second: “How can I enjoy quiet […]](http://www.transpositions.co.uk/wp-content/uploads/2014/09/100_1079-36x36.jpg "The Imagination between Beauty and Goodness"){kind=small}
![And in the naked light I saw Ten thousand people, maybe more. People talking without speaking, People hearing without listening. People writing songs that voices never share. And no one dared, Disturb the sound of silence. –Simon & Garfunkel, “The […]](http://www.transpositions.co.uk/wp-content/uploads/2014/09/great-silence-2-36x36.jpg "The Sound of Silence and the Silence of Sound: On Having Ears to Hear"){kind=small}
![Hans Boersma, Embodiment and Virtue in Gregory of Nyssa: An Anagogical Approach. Oxford Early Christian Studies. Edited by Gillian Clark and Andrew Louth. Oxford: Oxford University Press, 2013, 304 pp., £72.00/$135.oo cloth. Hans Boersma’s interests in sacramental ontology and ancient Christian expressions […]](http://www.transpositions.co.uk/wp-content/uploads/2013/12/BOersma-Oxford-36x36.jpg "Review: Re-Approaching Gregory of Nyssa"){kind=small}
![Culture Care is the vision of culture as an ecosystem and the call to consider our stewardship of this ecosystem. Recently, as I have developed Culture Care as a thesis, I have come to a deeper understanding of the relationships between nature […]](http://www.transpositions.co.uk/wp-content/uploads/2014/03/culture-care-mako-36x36.png "Artist in Residence Series: Culture Care for Churches"){kind=small}
![I often paint in order to know/see what I feel. Sometimes what I feel is not only impossible to say, but also seemingly impossible to know for certain. Paint, color, texture, shapes–physical stuff–can sometimes do a better job of getting at […]](http://www.transpositions.co.uk/wp-content/uploads/2014/03/N-studio-2-36x36.jpg "Artist in Residence Series: Art and Hospitality"){kind=small}