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Transpositions is the official blog of the Institute for Theology, Imagination, and the Arts at the University of St Andrews. Featured Posts
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Printmakers
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![Paul Martin is a painter and printmaker based in Edinburgh. He studied art at the Birmingham School of Art (1969-71) and the Royal Academy (1971-73). His work has been exhibited internationally and has won several awards, including the Royal Academy […]](http://www.transpositions.co.uk/wp-content/uploads/2012/05/Lazarus-Oil-and-Encaustic-on-Panel-122x95cm-2010-115x115.jpg "Featured Artist: Paul Martin")
Featured Artist: Paul Martin
Posted on 18/05/2012 | No CommentsPaul Martin is a painter and printmaker based in Edinburgh. He studied art at the Birmingham School of Art (1969-71) and the Royal Academy (1971-73). His work has been exhibited internationally and has won several awards, including the Royal Academy […] -
![Sandra Bowden is an artist based in New York, and also a former president of Christians in the Visual Arts (CIVA). Bowden’s primary medium is print making, and she often uses collography. This process allows Bowden to achieve a large depth […]](http://www.transpositions.co.uk/wp-content/uploads/2011/05/Volume-I-and-II-115x115.jpg "Featured Artist: Sandra Bowden")
Featured Artist: Sandra Bowden
Posted on 22/05/2011 | 4 CommentsSandra Bowden is an artist based in New York, and also a former president of Christians in the Visual Arts (CIVA). Bowden’s primary medium is print making, and she often uses collography. This process allows Bowden to achieve a large depth […]
![Editor’s Note: This is the third of a three-part series on the relationship between the artist and the church. The first post ran on 2 October and the second post ran on 23 October. In the second part of this […]](http://www.transpositions.co.uk/wp-content/uploads/2013/10/IMG_1601-36x36.jpg "Beyond Lines: The Relationship between the Artist and the Church [Part Three]"){kind=small}
![In “The Integrity of Using Art, Part 1″ I suggested that when using art, affirming the integrity of the work is immensely important. Then, in “The Integrity of Using Art, Part 2,” I went on to argue not only that we […]](http://www.transpositions.co.uk/wp-content/uploads/2013/07/2013-04-04-10.38.17-36x36.jpg "The Integrity of Using Art, Part 3"){kind=small}
![Trinity Sunday In the Beginning, not in time or space, But in the quick before both space and time, In Life, in Love, in co-inherent Grace, In three in one and one in three, in rhyme, In music, in the […]](http://www.transpositions.co.uk/wp-content/uploads/2013/08/rublev-trinity-36x36.png "Trinity Sunday – A Sonnet by Malcolm Guite"){kind=small}
![There can often be two schools of thought when it comes to pastoral care of artists. The first says that artists should be treated just like any other group within a religious tradition. It should not be assumed that the […]](http://www.transpositions.co.uk/wp-content/uploads/2013/08/Antigua-Artist-36x36.jpg "Lord, Give Us Shepherds: A Call for Pastors in the Arts"){kind=small}
![An issue that I continue to run into as I research the Christian church’s support of the arts is that of the quality of the art object, particularly the assumptions that artwork in the church is usually ‘cringe-worthy’, and high […]](http://www.transpositions.co.uk/wp-content/uploads/2011/05/trans-36x36.gif "Mediocrity and Excellence: An Issue for Art in the Church"){kind=small}
