James MacMillan, ‘A New Song’: Silence, Anticipation, and the Incomplete
Editor’s Note: As part of our monthly focus on the TheoArtistry project and its collaboration with Sir James MacMillan, we offer another insightful article…
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Setting Fire to Music
On a cold, bright day in November, I stepped into the Senate Room at the University of St Andrews to participate in my first…
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Call for Scores: Contribute to Theoartistry Composers Scheme
ITIA (the Institute for Theology, Imagination and the Arts, University of St Andrews) is delighted to present the opportunity to work with Sir James MacMillan…
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Millennial Christians and the Post-Evangelical Love for Sufjan Stevens
As early as 2005, the Los Angeles Times was announcing the arrival of a new generation of musicians whose preference for introversion over boisterous ego and overwrought sexuality…
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Let There Be Rock: The Strange Poetics of Richard Dawkins’ Rock Opera
It is perhaps one of the more immediately striking partnerships in the history of music. On one side we have Tuomas Holopainen, pianist and…
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Contemporary Confessions: Hozier’s Ecclesiastical Confusion
“But in this lay my sin: that I sought pleasure, nobility, and truth not in God but in the beings He created, myself, and…
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Featured Artist: J. A. C. Redford
J.A.C. Redford is a composer and orchestrator with dozens of Hollywood film and television scores to his credit. His recent collaborations with Thomas Newman…
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