Review: Theology, Aesthetics & Culture (Part 3)
Editor’s Note: This is the third and final part of a three-part review. To read the entire series, please see parts one and two….
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Review: Theology, Aesthetics & Culture (Part 2)
Editor’s note: This is the second of a three-part review (see the first part here) Robert MacSwain and Taylor Worley, eds. Theology, Aesthetics, & Culture: Responses…
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Review: Theology, Aesthetics & Culture (Part 1)
Editor’s Note: This is the first part of a three-part review. Robert MacSwain and Taylor Worley, eds. Theology, Aesthetics, & Culture: Responses to the Work…
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Hearing Visual Art in Dorothy L. Sayers’ Radio Plays
A few years ago, when I taught an undergraduate ‘systematic theology for artists’ class, we looked at the traditional ways certain biblical scenes are…
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Introducing Aesthetic Fast – a new performance art piece inspired by the prophetic traditions
Biblical background: In recent decades, performance art has considered how intangible experiences, such as fasting and other acts of endurance, may be viewed as…
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Review: The Living Icon in Byzantium and Italy
Paroma Chatterjee. The Living Icon in Byzantium and Italy: The Vita Image, Eleventh to Thirteenth Centuries. Cambridge University Press, 2014. 297pp. 34 B/W, 16…
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Review: John Piper – The Fabric of Modernism
John Piper: The Fabric of Modernism marks the fiftieth anniversary of Piper’s High Altar tapestry in Chichester Cathedral by celebrating and exploring his textile…
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